Moving into the next couple scenes, we now have a darker backdrop with some contrasting colors with the chair, Natsuki’s attire, and the overall room design. Shots are pretty standard fare undressing and what not, until the second half where now we are getting into some casual rope play, which is then used for a jumping rope and bouncing ball scene, which is the most energetic shot of the film. Right off of that upbeat scene we move to another generally muted color palette backdrop, white bed, white drapes, white walls, Natsuki wearing white attire with a bridal veil, only contrasting the scene with some red stockings. The scene is pretty average, even includes some basic oil massage applications and some lollipop play. The lollipop portion isn’t particularly well done because Natsuki begins bouncing around while eating, and the angles aren’t that appealing, nor are her smacking sounds that are emphasized over the music.

Finally we approach the last two scenes, one is basically a vibrator toy session which doesn’t really bring much to the table, the backdrop is whatever, the music is drowned out by the toy, and the sticker sheet that was stuck over Natsuki’s undercarriage looks like some half assed papier mache that was made 3 seconds before the shoot. Although I will admit there are some appealing shots prior to the toy play and the dark nighttime color contrasts coming out of the windows are good to add some darker hues to the setting, but those are ignored once the vibrator comes in. The last shoot is where the film shines I think. The setting while basic offers a variety of surfaces and colors to add complexity to the shots, including some good use of the shadows from the railings. Natsuki’s outfit is also really good, even having a light touch of red on the shoes, this just makes some parts of the scene pop a little. The lighting is obviously artificial as this is an evening shot but it works well thanks to the focus on using the shadows to add complexity to an otherwise basic shoot.